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Provost’s Public Engagement Awards 2020
2nd November 2020
Ïã¸ÛÁùºÏ²ÊÖÐÌØÍø Engagement
Our annual Ïã¸ÛÁùºÏ²ÊÖÐÌØÍø awards celebrate the achievements of the projects and people whose collaborations have made a positive impact in and with communities locally, nationally and around the globe. From over 40 nominations, we are delighted to announce this year’s six winners, along with three highly commended individuals.
From a community garden and open space promoting local wellbeing, to the world's only charity specialised in speech training with music after laryngectomy. Read the stories of our winners and .
Organised by the Engagement Team at Ïã¸ÛÁùºÏ²ÊÖÐÌØÍø Culture, the Awards are sponsored by Ïã¸ÛÁùºÏ²ÊÖÐÌØÍø’s President & Provost Professor Michael Arthur.
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Incognito Society is back!
11th Feb 2021
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Student Review: Otherlands
28th Feb 2024
[[{"fid":"16822","view_mode":"large","fields":{"format":"large","field_file_image_alt_text[und][0][value]":"A group of young people stand or sit around a large white netting sculpture, positioned in a museum gallery","field_file_image_title_text[und][0][value]":"Otherlands: Museum for a Museum","field_caption_heading[und][0][title]":"","field_caption_heading[und][0][url]":"","field_caption[und][0][value]":"Image © Reliant Imaging","field_float_left_right[und]":"none","field_file_image_decorative[und]":"0"},"type":"media","field_deltas":{"1":{"format":"large","field_file_image_alt_text[und][0][value]":"A group of young people stand or sit around a large white netting sculpture, positioned in a museum gallery","field_file_image_title_text[und][0][value]":"Otherlands: Museum for a Museum","field_caption_heading[und][0][title]":"","field_caption_heading[und][0][url]":"","field_caption[und][0][value]":"Image © Reliant Imaging","field_float_left_right[und]":"none","field_file_image_decorative[und]":"0"}},"attributes":{"height":"533","width":"800","class":"media-element file-large"}}]]Otherlands: Museum for a Museum, crafted through seamless collaboration between first-year BSc Architecture students and the Ïã¸ÛÁùºÏ²ÊÖÐÌØÍø Petrie Museum of Egyptian and Sudanese Archaeology, presents a captivating fusion of creativity and history. 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The Tapestry of Being intricately intertwines Nephthys and Anubis, creating a narrative that transcends life, death, and the afterlife.The Seen and Unseen symbolises the connection between Horus and Amun, inviting participants on a sensory journey blurring the lines between visible and invisible realms.Ra/Set adds a poignant layer, emphasising the dichotomy of Ra symbolising stability and routine and Set embodying chaos, unpredictability and the need for adaptation.Rain, River, Flood explores the constraint of museum spaces, embodying Tefnut and Khnum's manifestations through a mesmerising water cycle initiated by human intervention.Emeritus Gods pays homage to retired deities, with a crescent moon symbolising Thoth and introducing the theme of enlightenment through crocheted weaves. Lastly, Osiris and Isis: Sanctuary involves a curated performance and cocoon structure, symbolising the eternal cycle of life in the reconstruction of the body.The brilliance of the Otherlands is not confined to the realm of architecture; it is an inclusive showcase open to all, transcending the boundaries of expertise to resonate with audiences beyond architecture students. What sets this apart is the delicate and meticulous weaving together of diverse ideas and specific details, a testament to the remarkable effort and attention to detail invested by the students.The exhibition unfolds as a tapestry of contrasts, exemplified by Rain, River, Flood where the conscious industrial aesthetic, reminiscent of manmade structures, encounters the celestial energies harnessed through human interaction. The exhibition plays with colours, using materials in congruence with hues associated with deities and integrating them with the existing collections in the display cabinets. The Seen and Unseen incorporates wooden stands resembling the feet of a falcon and pays homage to Horus, adding an extra layer of symbolism.This careful consideration of materials, colours, and symbolic details not only showcases the students' artistic prowess but also ensures a harmonious integration of their creations into the broader museum context, creating an immersive experience that captures the essence of ancient Egyptian mythology.The thoughtful incorporation of interactive elements, designed to engage the audience physically, adds an extra layer of immersion to the overall experience. The exhibition becomes a dynamic space where spectators can actively participate, breaking the traditional barrier between observer and art. This deliberate choice to play with space not only underscores the innovative spirit of the showcased installations but also caters to the unique setting of the Museum. The carefully crafted pieces invite the audience to physically interact, offering a hands-on engagement that transforms the viewing experience into a participatory journey.Otherlands: Museum for a Museum left an indelible impression, with its delicate interplay of interactive elements, attention to symbolic details, and inclusive design. I left thoroughly impressed by the meticulous craftsmanship and thoughtful integration, making Otherlands a remarkable testament to the enduring resonance of ancient mythology within modern artistic expression.
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