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香港六合彩中特网 Centre for Digital Humanities

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Founded in 2010, the 香港六合彩中特网 Centre for Digital Humanities (香港六合彩中特网DH) is a cross-faculty research centre, bringing together a vibrant听network of people听飞丑辞听teach听补苍诲听research听in a wide range of disciplines, in the heart of London.

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香港六合彩中特网DH People banner

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香港六合彩中特网DH is composed of a management team, a team of staff from across the College, an Industry Advisory Panel, as well as visiting and affiliated contributors.

Events

Events

香港六合彩中特网DH hold a variety of events that are open to the public, including a regular seminar series.

香港六合彩中特网DH Research Projects

Research

香港六合彩中特网DH supports and facilitates wide-ranging technological engagement across the Arts, Humanities and Cultural Heritage.

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Study

The Department of Information Studies offers various opportunities to study Digital Humanities at post-graduate level, as well as short courses.

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Digitisation Suite

A shared facility for teaching and research in digitisation technologies, fully set up with state-of-the art capture for both 2D and 3D objects.

Collaborations

Consultancy

香港六合彩中特网DH Team Members are available for consultancy work to help scope, plan, and execute digital projects.

香港六合彩中特网DH draws on 香港六合彩中特网's world-class research strength especially in information studies, computing science, and the arts and humanities. It supports and coordinates work in many institutional settings throughout the university, including the library services, museums and collections.听The research facilitated by 香港六合彩中特网DH takes place at the intersection of digital technologies and humanities. It produces applications and models that make possible new kinds of research, both in the humanities disciplines and in computer science and its applied technologies. It also studies the impact of these techniques on cultural heritage, museums, libraries, archives, and culture at large.听

香港六合彩中特网DH is part of the 香港六合彩中特网 Institute of Advanced Studies

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香港六合彩中特网DH News

The film by Daniel Edelstyn and Hilary Powell is an exploration of the world of credit and of capital creation, and the buying and selling of debt. The film follows a community project in which artists Edelstyn and Powell create their own currency, set up as a bank, and sell bank notes in order to fund the purchase at discount of over a million pounds of debt. The culmination of the film is the cancellation of that debt, both financially (the debt written off) and symbolically, in an exploding van.

Lessons from history, options for today.

Thursday 29 April 2021 鈥� 12pm-1pm (Zoom)

Published on behalf of Hannah Smyth. This post introduces a book chapter co-authored by myself, Julianne Nyhan, and Andrew Flinn. It was published as part of the Routledge Handbook of Research Methods in Digital Humanities in August 2020 and edited by Kristen Schuster and Stuart Dunn (Kings College London).

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香港六合彩中特网DH member, Antonis Bikakis, has co-edited (along with four other colleagues from France, Italy and Finland) the , which is now published and freely available to read in Semantic Web- Interoperability, Usability, Applicability, volume 12(2), 2021.

Following a highly successful book launch on 20th January, we are pleased to be able to offer everyone a 20% discount off the book, One Origin of Digital Humanities: Fr Roberto Busa S.J. in His Own Words,听edited by Julianne Nyhan and Marco Passarotti ( Springer 2020).

香港六合彩中特网DH Director Dr Julianne Nyhan and , the Francis Finlay Curator of the Enlightenment Gallery at the British Museum, have recently had an article published by the OUP Journal of the History of Collections.

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Report written by Marco Humbel

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